Art Pro Vla Ii Review

September 07, 2021

The art pro vla ii does what it says. These are the differences between the pro vla and the pro vla ii:

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Other than that i'm really happy with what i have available via plugins.

Art pro vla ii review. In use, the pro vla ii is very smooth, with a soft, buttery sound. I have been thinking about adding an ob compressor to the rack recently, and, being on a budget i have come across the art pro vla ii. The art pro vla ii tube leveling amplifier is a soft knee leveling amplifier by design.

Read honest and unbiased product reviews from our users. Despite its relatively low cost, the art pro mpa2 delivers on both sound quality and versatility. This 2 channel rack has a great sound and has worked its way into a main part of my studio.

This review covers the older provla, not to be confused with the newer provla ii. The art pro vla ii is an indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio. It is a rackable unit that will take 2 rack spaces.

Improvements to the original include attack/release controls (the original vla pro had auto settings only), led output level metering, and an enhanced link mode where the channel 1 level control acts as a master output and the channel 2 output becomes. In the same way that neve 1073 eq filters are hard to make sound bad, i was hard pressed to get poor results out of the art. I recently met up with jeremy there and we pulled up a mix of a track by forrest day, an artist that jeremy's been working with, and ran various elements of the mix through the modded pro vla.

An unmodded art pro vla ii. One device that uses this circuit is the art pro vla ii compressor reviewed here. Clearly, this is a design choice.

Be the first to review “art pro vla ii” cancel reply. Current pricing for modification without transformers is:. I just leave it panned up the middle to keep both channels' output the same.

Enhanced link mode in link mode, ch1 output control acts as a master output level and ch2 becomes a balance control. It has 2 xlr inputs and 2 xlr outputs. It's optimal for shaping, coloring, or smoothing out tracks.

Description brand additional information reviews (0). The art vla pro ii is an optical stereo tube compressor based on its predecessor, the vla pro. There are input threshold, attack, ratio, release, and output controls on it.

I didn't change the tubes because i wanted to keep the sound coming through the vla as transparent as possible. On the vla we offer a wonderful circuit upgrade that rivals any design along with an output transformer upgrade option as well for the ultimate in analog mix buss mojo. Two channels of art tube compression beef up individual tracks, or link the art pro vla ii's two channels in stereo.

The power cord is hard wired, and there are parallel 1/4. The stereo link function is nice, but i don't know how useful the panning feature is when it's linked in stereo. Although it is capable of providing a thoughougly squashed signal, the pro vla ii was designed to excel in areas where transparent, expressively musical dynamics control is desired.

I have owned the rnc and now have an art pro vla ii. The art pro vla ii is affordable and delivers great compression and leveling. If i could have a few thou tied up in a really good hardware comp i'd probably prefer that.

This optimizes the pro vla ii for use as a mastering processor. Coming out of the ua solo 110 (which is an awesome mic pre) going into the vla ii the vocals come out very smooth and sit in the pocket perfectly. Either is useful for tracking bass, and i normally have a little bit dialed in when tracking vocals to prevent any big overs.

The pro vla is a very smooth compressor with good metering. This vactrol based optical electronic circuitry is the basic component of the classic. We also offer a few different transformer options as well.

It's easy to get a nice overarching compression ratio for individual channel or for main mix duties. I had experimented before with swapping out tubes in my unit, which are used as output stage drivers only, as the actual compression is via optical vactrol elop sensors. In addition to making signal levels more manageable, it is common practice.

I had achieved slightly sweeter tone with various tubes, my favorites being some old telefunkens i had salvaged, but the improvement was only moderate.

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